Lifetime is ready to release a new film thriller entitled “Stolen by their father” this weekend. But do you know the inspiration behind the movie?
‘Stolen by his father’ is based on the memory of the authors of Lizbeth Meredith and follows her real-life history. The story of the film focuses on Lizbeth Meredith, who did not leave any stone without removing it to bring her daughters safely home. Surprisingly, the daughters of her were kidnapped by her own father and her ex-abusive husband of Meredith. He continually threatened to kill her if she made wrong movements or took a step against him. Memoir de Lizbeth Meredith was titled ‘pieces of me: rescue my kidnapped daughters’.
Stolen By Their Father Review:
Sarah Drew Lizbeth lived the worst nightmare of a mother during the stolen by her father: a film executive of the headlines produced by Elizabeth Smart. The experience of Lizbeth Heartrending to recover the daughters of her was almost unbearable to see.
And the worst of all this was to know that the real events inspired the film.
Somehow, stolen by her father felt like an ambitious film for the network. We had Sarah Drew the starter character, and the film had its mouth of the states to Greece.
During a large part of the film, the magnificent Greek set was integrated. You could not capture the tone and fate of Lizeth like this woman stuck in a foreign country, desperate and not getting the appropriate help she needed to protect her family without her.
They could not have captured the level of intensity, impotence, and excessive Lizbeth excess status without beauty and strangers (in Lizbeth) from Greece. The film is enriched because of the Greek casting and the reallocation. All this added to the general frustration and anger you felt by following the experience of Lizbeth.
Time and time repeatedly, we have seen how much the system allows women to look like Lizbeth, and it was not in a country, but two.
As a survivor of domestic violence, all the film was just a plethora of people in Alaska and Greece, dropping the ball to all imaginable turns. And if it was not serious enough that she was licensed and badly treated, they also let her down.
It seemed like Lizbeth was the only one who was fired up of his children and what was in their interest in their best interest and that it was outright worrying.
Greg was a Vile creature; We knew as much because of their history, but its actions throughout the film gradually worse, and it was difficult to believe that its supposed charm was always effective. Was there a time in the movie when he was not an ass for people?
Due to the trouble of irregular nuisance, he was upset that he has never managed to do anything. He felt as if he were as transparent as possible, then he was confused that people allowed him to allow him to activate or wake up, but he was a classic narcissistic!
He did not seem to hide anything; Greg was cheeky like hell how much he liked to stick to Lizbeth, and there was no time when he did not show up as a terrible man. Yet he had the chief of police, judges and others other shrugged his actions and volatile behaviors and the Lizbeth gas cup.
At some point, people have shown him to slap her and no one did anything about it.
For all the movie, it’s Lizbeth begging people to help him and pass through hoops to prove that she was the reasonable person in this situation and, more often, it was all for nothing.
He was angry when she went to the American police and the detective admitted that she did not take Lizbeth seriously because Greg said that she was mentally unstable.
She was a detective, with access to all police records and orders in place. Because of this alone, Lizbeth deserved the advantage of the doubt, but do not recognize his concerns in favor of taking the speech of Greg wasted precious time.
It was similar in Greece, where Greg had more soil and pulling, and it was as if he had enough connections and an understanding of the legal system there he kept on the point of everything. Was Greece destined to meet as traditional and archaic?
Lizbeth’s status as American Aman worked against her while there was a large part of that, she also had to do with her being a woman. It was as if it were powerless and everything was designed to work in Greg. Nobody wanted to consider that he was despite keeping his children because he was their father.
It did not seem to be important that they were divorced, he had a history of abuse, or that she had the legal custody of girls in the United States. The law was supposed to protect it, but for some reason, it never did. It’s sure that hell has done nothing for girls.
A month passed, and it was as if no one wanted to do anything. Have they expected Lizbeth to give up and stop looking for his children? It was madness!
She had ten months with very little help to recover her children, and if she did not have the few links she managed to cross her work, how much worse would he have been? These were the thoughts that made the film shiny because even with his struggles, Lizbeth was always lucky.
It was as simple as the day Greg only made all this to punish Lizbeth. It was already bad enough that he kidnapped the girls and filled his head with lies about their mother. But above all this, he did not even take care of them.
Damn Nearly a year later, she learned that they bouched from one place to another; He never had a stable job, the girls rarely went to school and they were dirty and neglected.
How could a judge know all these details and do not determine that it was in the best interest of the child to be with their mother, who was looking for them forever?
The judge learned that Greg was abusive to Lizbeth and knew that the children were rarely at school and did not live a stable life, but he always determined that moving them would be too much because they had already spent a year and a half in Greece.
It was heartbreaking when the girls revealed that he had been physically violent.
My heart has run badly for Lizbe, and Sarah Drew versa everything in this role, convincingly capturing the capture of the relaxation of Lizbeth, fear, determination, and more. She was the clear star of this movie because, for the most part, everyone seemed to fall by the way.
Kimonos Kouris was useful as the Villanous Greg, but he also felt as if we did not have much to continue his angle of things or see him in action to the middle of the film. He was much able to give us much more, but strangely he felt quite underutilized.
The private researcher stood out with time, but in general, this was Sarah Drew’s movie to carry, and he certainly did it incredibly well. I still wish the other characters could not enter the bottom in a sea of ​​names and forgettable faces.
The flashbacks also served to provide parallels of the current situation of Lizbeth, fighting to return to what the daughters of it return to the past of it as a kidnapped child whose terrible mother ripped him from a loving father.
It was not that the parallels did not make sense, but their frequency did not add a lot to the film.
The triumphant of Lizbeth one reverse to recover the children of it was a sequence of nerve stretch marks, the greatest amount of action and suspension of all, but was satisfied when we reached that point. The accumulation took so long and then flew once it happened. But then, kindness, she brought her babies back home.
She simply saddened me how deeply the multiple systems were disappointed, and as a survivor of domestic abuse, she was not a stranger to that, as she was. No matter how much progress is made, there are still too many ways in which abusive people can exploit the vulnerabilities of the system and, therefore, their victims.
To you, fanatics for life. What are your thoughts about this movie? Press the comments!
